2022 ‘Mungo Exhibition’, Hosted by Queenscliff Gallery at Fortyfivedownstairs 2021 ‘MUNGO PRINTS’, Exhibition, Printmaker Gallery Fitzroy 2020 ‘MUNGO PRINTS’, Virtual Exhibition, Printmaker Gallery, Fitzroy MUNGO, PAINTINGS and prints, Mildura Arts Centre, Mildura 2017 ‘CROW, PAINTINGS AND WORKS ON PAPER’, Langford120, North Melbourne THEATRE PAINTINGS, Janet Clayton Gallery, Paddington 2016 ‘DESERT MONOPRINTS’, The Art Vault, Mildura 2015 'THEATRE PAINTINGS & MONOPRINTS', Langford120, North Melbourne 2014 ‘A SURVEY SHOW OF THEATRE & FIGURE WORK’, The Art Vault, Mildura 2013 ‘MONOPRINTS’, Langford 120, North Melbourne 2012 ‘PAINTINGS AND WORKS ON PAPER’, Langford 120, North Melbourne 2010 ‘THE DOG THEATRE IN CONJUNCTION WITH PERFORMANCE OF ‘ELEKTRA’ BY SOPHOCLES’, The Dog Theatre, Footscray 2008 ‘THE FIGURE, WORK IN PROGRESS’, Ochre Gallery, Collingwood 2006 ‘CLEAN KILL’, Ochre Gallery, Collingwood CLEAN KILL, Gippsland Art Gallery, Sale 2005 ‘CLEAN KILL’, Geelong Gallery, Geelong 1998 ‘STAIRWELL SERIES’, Helen Gory Galerie, Richmond 1996 ‘THREE SOLO EXHIBITIONS’, Helen Gory Galerie, Richmond 1994 ‘COLLECTION IN CONTEXT’, Mornington Peninsula Regional Gallery, Mornington ‘ANTHILL THEATRE IN CONJUNCTION WITH PERFORMANCE OF ‘STRATEGY FOR TWO HAMS BY IONESCO’, Anthill Theatre, Gasworks 1992 ‘GILGUL THEATRE IN WITH PERFORMANCE OF ‘ES BRENT’ BY BARRIE KOSKY’, Town Hall Motors, Balaclava
2012 Featured Artworks in ‘Wakey Wakey’ by Adrian Goodman, VCA Masters Film 2010 Collaboration With Director Adena Jacobs And Company Fraught Outfit, Recording The Process And Performance Through Drawing, Painting & Printmaking. ‘PAINTINGS & WORKS ON PAPER’ Exhibited In Conjunction With Performance Of ‘Elektra’ By Sophocles, Footscray. 1994 Anthill Theatre, Director Jean Pierre Mignon, Recording The Process And Performance Through Drawing, Painting And Printmaking. ‘PAINTINGS AND WORKS ON PAPER’ Exhibited In Conjunction With Performance Of ‘Strategy For Two Hams’ By Ionesco, Gasworks, Albert Park. 1992 Anthill Theatre, Director Jean Pierre Mignon, Recording The Process And Performance Through Drawing, Painting And Printmaking. ‘PAINTINGS AND WORKS ON PAPER’ Exhibited In Conjunction With Performance Of ‘The Chairs’, By Ionesco, South Melbourne. 1992 Gilgul Theatre, Director Barrie Kosky, Recording The Process And Performance Through Drawing, Painting And Printmaking Of ‘The Dybuk’, ‘Es Brent’ And ‘Levad’ – Gilgul’s Exile Trilogy By Barrie Kosky. ‘PAINTINGS AND WORKS ON PAPER’ Exhibited In Conjunction With Performance Of ‘Es Brent’, Town Hall Motors, Balaclava. 1991 Anthill Theatre, Director Jean Pierre Mignon, Recording The Process And Performance Through Drawing, Painting and Printmaking. ‘PAINTINGS AND WORKS ON PAPER’, Exhibited In Conjunction With Performance Of ‘Endgame’ By Samuel Beckett.
JOURNEYS INTO DRAWING IN CONTEMPORARY AUSTRALIAN DRAWING #1, Dr. Christopher Heathcote By Janet Mckenzie.
SINGING FOR ALL HE’S WORTH, Book Cover Portrait Of Jacob Rosenberg. Essays In Honour Of Jacob G. Rosenberg, Edited By Alex Skovron, Raimond Gaita And Alex Miller, Picador.
AROUND THE GALLERIES, Ashley Crawford, 'The Age', October 11.
SLOW ART FEEDS HUNGER FOR THE BODY, Jeff Makin, 'Herald Sun', October 10.
'Because you also need an understanding of what your drawing instrument and brushes are capable of, as well as an ability to look closely and precisely at things, an understanding of shade, a grasp of human anatomy perhaps, and of course, a mixture of graphic and painterly inventiveness...'
SUSAN WALD (MITTELMAN) IN UNTITLED, PORTRAITS OF AUSTRALIAN ARTISTS, Dr. Christopher Heathcote, (Macmillan Art Publication).
"Expression is a recklessly overused word. ‘I was being expressive’ has become the flimsy excuse of the untrained or inept, the public having made the term synonymous with the muddled composition usually seen in an amateur art show. This is why professional artists will hesitate before describing a colleague as an expressionist. How then to do justice to the oeuvre of Susan Wald? Her paintings and drawings are the real thing. They express. There is no way to discuss them without confronting a genuine psychological weight. Some inner truth is externalised, is being pressed out."
UNTITLED, PORTRAITS OF AUSTRALIAN ARTISTS, Sonia Payes, (Macmillan Art Publication).
BLOODY BATTLE, SIGHTLINES CRITICAL GUIDE Penny Webb 'The Age', April 7.
MELBOURNE MAGAZINE ISSUE, Meagan Backhouse 'The Age', 18 April.
CLEAN KILL, CATALOGUE ESSAY Dr. Christopher Heathcote.
AUSTRALIAN PAINTING, 1788-2000, Bernard Smith With Terry Smith And Christopher Heathcote.
“The waning of conventional expressionism was highlighted by the efforts of the few expressive artists who squarely faced those dark, irrational moments in human behaviour. Susan Mittelman, for instance, honed an art of quiet agony with the simplest of means: emotive brushwork and a monochrome palette. Her oil studies, which have us gaze down upon a nude woman lying awkwardly at the foot of a stairwell, succinctly evoke the distress of the wounded and vulnerable, of those who feel flung down a well of misery by an uncaring world.”
SUSAN MITTELMAN: PAINTINGS & MONOPRINTS Chris Boyd, 'The Big Issue', May-June Issue.
Print Commission, Print Council of Australia
Finalist, Australian Print Award, Australian Print Triennial, Mildura
Semi-Finalist, Doug Moran National Portrait Prize
Mornington Peninsula Prints, Acquisitive Award Collection
Dean’s Acquisitive Award, Victoria College, Prahran
David Rosenthal Acquisitive Award
Nexus Design Award
Australian National Gallery
Australian Catholic University
Australian Print Workshop
Charles Sturt University
Gippsland Art Gallery
Mornington Peninsula Regional Gallery
Print Council Of Australia Archive
State Library Of Victoria
The Art Vault, Mildura
Tweed Regional Gallery, New South Wales
Toowoomba Regional Gallery, Queensland
University Of Wollongong, New South Wales
Victorian College Of The Arts